Quotabit 81. “Entertainer vs Entrepreneur” (29.10.2014.)
“What would the future of the society be, where the greatest entertainment is to entertain the entertainers rather than the Entrepreneurs?”
Quotabit 82. “Life” (02.11.2014.)
“Life is a game of trapeze (Sunanda Surray)! Yes, without the net at the bottom (Sudipta Paul)!”
“The art of trapeze performance was developed by Jules Léotard, a young French acrobat and aerialist, in Toulouse in the mid-1800s. He invented the flying trapeze, practising over his father’s swimming pool.
Types of trapeze
- Static trapeze refers to a trapeze act in which the performer moves around the bar and ropes, performing a wide range of movements including balances, drops, hangs while the bar itself stays generally static. The difficulty on a static trapeze is making every move look effortless. It is like dance, in that most people of a reasonable level of strength can get onto the trapeze bar for the first time and some basic tricks, but an experienced artist will do them with much more grace and style.
- Swinging trapeze (or swinging single trapeze) refers to an act performed on a trapeze swinging in a forward – backward motion. The performer builds up swing from a still position, and uses the momentum of the swing to execute the tricks. Usually tricks on a swinging trapeze are thrown on the peaks of the swing and involve dynamic movements that require precise timing. Most of the tricks begin with the performer sitting or standing on the bar and end with the performer catching the bar in his/her hands or in an ankle hang (hanging by the ankles by bracing them between the rope and the bar). This act requires a great deal of strength, grace, and flexibility. The trapeze bar is weighted and often has cable inside the supporting ropes for extra strength to withstand the dynamic forces of the swing.
- Flying trapeze refers to a trapeze act where a performer, or “flyer,” grabs the trapeze bar and jumps off a high platform, or pedestal board, so that gravity creates the swing. The swing’s parts are the “force out” (sometimes called the “cast out”) at the far end of the first swing, the beat back and the rise (a.k.a. “seven”) as the performer swings back above the pedestal board, and then the trick is thrown at the far end of the second swing. The performer often releases the bar and is caught by another performer, the “catcher,” who hangs by his or her knees on another trapeze, or sometimes on a cradle, which can be either stationary or also swinging. People of any size are able to execute basic trapeze maneuvers. Flying trapeze is generally done over a net, or occasionally over water.
- Washington trapeze (also known as head trapeze or heavy trapeze) refers to a variation on static and swinging trapeze where the aerialist performs various headstand skills on the bar, which is typically much heavier than a normal trapeze bar and has a small (about 4-inch round) headstand platform on it. The trapeze is supported by wire cables rather than ropes, and the apparatus will often be lifted and lowered during the act.
- Dance trapeze (also known as single-point trapeze) refers to a trapeze used by many modern dance companies inaerial dance. The ropes of the trapeze are often both attached to a single swivel, allowing the trapeze to spin in either small or large circles.
- Double trapeze (also known as the French trapeze) is a variation on the static trapeze, and features two performers working together on the same trapeze to perform figures and bear each other’s weight. It can also be performed swinging, in which case the act is called “swinging double trapeze.”
- Multiple trapeze
refers to a number of different shapes and sizes of trapeze, including double trapeze, triple trapeze and larger multiples designed for use by multiple simultaneous flyers. Shaped trapezes are apparatuses that can take virtually any shape imaginable.”
- “Circus Dictionary”. National Institute of Circus Arts. Retrieved 10-1-09.
- V&A biography notes
Quotabit 83. The Public, Politicians and Religious Guru-s (02.11.2014.)
“The ‘Public’ need to change themselves and stop expecting to enjoy undue privilege. The politicians or religious Guru-s don’t fall from the sky, Hell or Heaven, they are just a group of the ‘Public’ that is power hungry and manage to manipulate, fool and coerce the ‘Cattle Class’ to enjoy undue privilege that the ‘Public’ wish to enjoy themselves! Its a never ending vicious circle!”
Quotabit 84. “The ultimate truth about driving” (02.11.2014.)
“A car cannot be driven faster if it is towed to a caravan.”
Quotabit 85. “Problems/puzzles in life” (05.11.2014.)
“Do not expect that all problems/puzzles in life would be coming from the syllabus. On the contrary, the majority of them, especially the most difficult ones would be faced for the first time in life.”
Quotabit 86. “Problem and Solution” (05.11.2014.)
“When you do not know the answer to a question (or solution to a problem) look around for clues.”
Quotabit 87. “End of War” (05.11.2014.)
“Only the dead have seen the end of war.”
Quotabit 88. “The Solar system of Life” (05.11.2014.)
Quotabit 89. “Life” (05.11.2014.)
“The only way that we can live, is if we grow. The only way that we can grow is if we change. The only way that we can change is if we learn. The only way we can learn is if we are exposed. And the only way that we can become exposed is if we throw ourselves out into the open. Do it. Throw yourself.”
Quotabit 90. “Life” (05.11.2014.)
“The trouble is if you don’t spend your life yourself, other people spend it for you.”